MIFF docs explore the Fame Game
The subjects of docs at this year's Melbourne Film Festival read like a list of the rich and infamous.
Anna Karina: A woman apart
Anna Karina, the grand dame of French New Wave cinema enchants Melbourne with her anecdotes.
The curse of the Blair Witch
The no-budget movie which changed the face of horror films 10 years ago has left a surprisingly minor legacy.
One Condition of Political Interference
There's no such thing as bad publicity - Ten Conditions of Love is the hottest ticket in town thanks to Chinese government intervention.
Make consistently good movies? Why not.
Paris-based production company Why Not, boasts an impressive 18-year track record.
The sun shone and the stars descended on Sydney's Walsh Bay precinct, as Paramount Pictures paraded the acting ensemble and key creatives behind their next roll of the blockbuster dice - G.I. Joe.
Bruno: rude, crude and frighteningly real
Sacha Baron Cohen’s latest creation is another clever exercise in subterfuge.
Spaniards really like local films; why don’t we?
If Aussie cinemagoers were as passionate about home-grown films as the Spanish are about their films, we’d have a much stronger industry.
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