Can Renny Harlin get his mojo back in Finland?
Renny Harlin is 'doing a Verhoeven' and heading back home to rediscover his credibility.
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Sheer basterdry or arse-whoopin' Holocaust flick?
The first peek at Quentin Tarantino's Inglorious Basterds has set the blogosphere alight. And results aren't all that glowing.
Kylie Boltin gives the rundown of the Australian International Documentary Conference, which has just wrapped in Adelaide.
Don't want to watch the boring bits of the ceremony? Read Fiona Williams' Oscars blog for live results as they happen.
In a nod to the recession, Hugh Jackman gives an hilariously scaled-back opening musical number which references all of the nominated films, and includes self-deprecating cracks about Australia, plus a shameless plug for his next movie, Wolverine. All's forgiven, Drover!
The Reader attempts to turn the page on Holocaust
As a love story The Reader references the moral dilemmas of the Holocaust but it pulls its punches just a bit too much. Review by Fiona Williams.
The Reader is a weighty film that explores the degrees to which guilt and responsibility linger for Germans living in the shadow of the Holocaust; though for convenience and palatability, the themes of subterfuge, shame and betrayal are boiled down into the story of a brief but life-changing post-war affair.
Would you invest in a film made by this man?
Don Groves looks at prolific filmmakers who refuse to stop making films, including one who should never have started in the first place.
Uwe Boll (pictured) has been responsible for so many lousy horror movies (Alone in the Dark, BloodRayne and House of the Dead to name just a few of his monstrosities), it’s no surprise the German filmmaker is taking desperate measures to try to raise finance.
Giveaway: The International
Sony Pictures and SBS are giving you the chance to win a double
in-season pass to see The International, a timely thriller of
corruption and economic deception.
In The International, Interpol Agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Elenor Whitman (Naomi Watts) are determined to bring to justice one of the world’s most powerful banks.
Film Fix: Rachel Getting Married
In Rachel Getting Married, Jonathan Demme straddles the possibilities available to a big-time director who is also fiercely independent. Kylie Boltin reviews the film.
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