Slumdog Millionaire a timely tonic for Bollywood
Could Danny Boyle’s blockbuster spark wider interest in the West for Bollywood fare?
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The Oscars for Slumdog Millionaire composer A.R. Rahman and sound mixer Resul Pookutty were rightly celebrated across India and have given a much-needed morale boost for Bollywood.
2008 was a dismal year for the Indian film industry, yielding just six hits out of 127 releases and losses of more that $100 million, according to the Indo-Asian News Service. The financial crisis has resulted in cutbacks in production and marketing budgets and some stars were asked to accept lower salaries. Ronnie Screwvala, CEO of entertainment giant UTV Software Communications, predicted 30 -40 percent of the films already completed won’t be released this year due to lack of funding. Rajesh Jain, head of media and entertainment at KPMG Advisory, told Reuters the industry could even see "de-growth" in 2009.
Perhaps over-optimistically, some executives hope Slumdog Millionaire’s eight Oscars will help make audiences in West more receptive to Bollywood fare. “This win and publicity definitely adds more charm and variety in brand India. More than Indian films having a global audience, the Oscars will open doors to Indian technicians such as Resul Pookutty, and to Rahman’s music,” Madhukar Kamath, Managing Director and CEO of Mudra Communications, told Hindu Business Line.
Previously, only two other Indians had brought gold statuettes home to India: Gandhi costume designer Bhanu Athaiya won in1983 and director Satyajit Ray collected an honorary prize for contribution to world cinema in 1992.
UTV Communications tried to piggyback Slumdog’s success by launching Rakesh Omprakash Mehra’s Delhi 6 (pictured) at 90 theatres in the US on the Oscars weekend. It stars Abhishek Bachchan as an American-born guy who takes his ailing grandmother back to her old neighbourhood in Delhi and falls in love with the city and a gorgeous neighbour (Sonam Kapoor).
The movie, for which A.R. Rahman composed the music, generated a healthy per screen average of nearly $US6,700 in its debut, but collapsed in the second weekend, ringing up $809,000 in 10 days.
Many US critics gave the film a warm reception, typified by Village Voice’s Michelle Orange who declared that while “Delhi 6 attempts to address the generational, economic, and religious problems dividing modern India, it does so in an unapologetically broad, whacked-out way, with each of Bollywood’s four food groups (corn, cheese, treacle and nuts) present and accounted for. Which is to say that it’s pretty much irresistible and…represents the enigmatic India of today as well as anything ever could.”
Hollywood website About.com said: “Maybe the runaway success of Slumdog Millionaire will inspire Western audiences to sample more authentic Bollywood fare. With its first-rate music, world-class stars, and postcard-ready views of India, Delhi 6 presents an especially welcoming option.”
Let’s just hope Slumdog doesn’t inspire a bunch of inferior knock-offs.
Comments (4)
Slumdog Millionaire - Film Review - Part 1
I could dismiss this as a slick formula film that ticks all the right boxes; but I am a sucker for raison d'etre movies and this one puts the 'etre' into raison d'etre. Superficially, hardscrabbling survival is the 'reason'; but - fundamentally - the truth is 'to be'. Living selfish lies we enslave; living selfless truths we manumit. The truth sets us free; of all our riches it is the most estimable.
28 Mar 2009 6:28 AEST
From: Kingston
Slumdog Millionaire - Part 2
A romantic fable and a fabulous romance. It has the classic plot of ancient Romance where young love is sundered by mishaps but - after serial adventures - finally requites. It is a classic Fable in that the hero suffers numerous trials, which draw wisdom from within. And, ultimately, when triumph is finally within his grasp, he is tested to the limits of his whole life. But, like a pilgrim, he finds that truth which opens the gate to his heaven.
28 Mar 2009 6:25 AEST
From: Kingston
Slumdog Millionaire Part 3
Conversely, the hero's brother is a kafkaesque gatekeeper. Through him we see that the rich live in the future, the poor in the past, and the indigent only in the present. He has adapted perfectly to an evil world, and lives - for each moment - in penury. His selfishness continually shuts out others till, at the end, this brother - wallowing in money - finds and knows that chains of gold are worse than chains of iron. And his gate to hell finally crashes in.
19 Mar 2009 21:00 AEST
From: Eaglemont
Slumdog is not a direct route to Bollywood
No, it takes more than one film to draw Western audiences into Bollywood. Sure Slumdog had Bollywood elements in it but filtered quite sustantially through a Western sensibility. It takes a bit of persistence to "get" into Bollywood - films which are culturally based - their brand of story-telling often requires a different mindset to the one we're used to.
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28 Mar 2009 6:30 AEST
Mark
From: Kingston