Anya Taylor-Joy

Seventeenth century pilgrims battle the elements of a harsh new land, as well as their own sinful natures – and something far more sinister.
Is it possible for a contemporary horror movie to make us believe in God, the Devil or the fiery pits of hell? The spewings of The Exorcism are now a joke. So too, the tropes of satanic offspring and bloody sex rites around midnight fires.