• Finland's heavy metal rockers Lordi. (EBU)Source: EBU
Winning Eurovision is a huge thrill and privilege for any artist, but how many of the acts that win endure beyond the big night?
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13 Apr 2017 - 12:02 PM  UPDATED 30 Apr 2020 - 4:33 PM

Following the unprecedented cancellation of the Eurovision Song Contest this year, SBS is excited to announce a week-long festival of Eurovision from 10-17 May, culminating in a brand new alternative Eurovision 2020 with SBS’s Eurovision 2020: Big Night In! and Eurovision: Europe Shine a Light from The Netherlands.

 

Finnish metal band Lordi became the first, and still the only, hard rock act to win Eurovision when they were triumphant in 2006. After their success, the hometown of lead singer Mr Lordi renamed a landmark in the town - Lordi’s Square.

In May 2007, the Finnish postal service issued a Lordi postage stamp in recognition of their Eurovision win and released their Christmas single, "It Snows in Hell", in a special Christmas card edition. Oh, and they’ve released five albums since 2006, but the band will forever be defined by Eurovision.

For every Celine Dion and ABBA, there’s a Lordi - acts big enough to sustain their careers, but who never manage to shake the glitter of Eurovision off their back.

Eurovision stalks the musicians who compete. It’s common for most winners to become hometown heroes rather than global megastars. Considering an estimated 180 million people watch Eurovision each year, it shows how hard it is to become bigger than the competition itself.

The competition can become a mainstay in a singer’s career. Valentina Monetta represented San Marino three times in a row - and is back this year; Johnny Logan won twice (1980 and 1987) for Ireland; and in 2011, Lena, the winner in 2010, decided to defend her title on home ground – something only two people have done in the history of the contest. 

There’s also the stigma that comes with competing in Eurovision. Music critics tend to box the performers in because they’ve decided to represent their country in a singing competition and their music is categorised as a tool, like running spikes for a sprinter. Pitchfork, one of the leading outlets for music criticism, described Eurovision as:

“Like being dipped head first into a bubbling phantasmagoria. The proposition you sign up for is hours filled with Super Bowl halftime show levels of bombast, crossed with the most head-scratching of early American Idol performances. In the TV competitions seemingly inspired by Eurovision - Idol, the Got Talent and X Factor franchises, truly bizarre contestants don’t usually make it through to the finals. That’s because Eurovision has no qualms with presenting a panoply of WTF moments.”

Putting Lordi into the search box on the Pitchfork website returns zero album reviews for the band. The quest for respect is a challenge for Eurovision winners when a lot of ironic enjoyment is derived from the competition. The mad genius component of Eurovision is rarely up for consideration because there’s an art to the competition. It wouldn’t have survived for 60 years if there wasn’t something tangible beyond giant hair and pyrotechnics.

Still, remembering the winners of Eurovision is tough. It’s the ultimate curve-ball at pub trivia. Remembering the country that won is the easy part, naming the artist is when it gets hard. Answering ABBA is the safest bet and the Swedish mega-group continue to be the standard for what every act aspires to when the wind machines get turned off.

But ABBA won in 1974. It has been over 40 years since they ruled the world post-Eurovision, so it’s no wonder the competition is yearning for the next superstar to endure. And maybe that’s part of the fascination with Eurovision - we want to be there to witness the birth of the next ABBA. Each year is another shot at it and the flamboyance of the competition is just a bonus.

Check out all the details for Eurovision Week 2020 on SBS and SBS VICELAND
SBS is uniting music fans with Eurovision 2020: Big Night In!
Plus, we have a whole week of Eurovision programming from 10–17 May.

 

 

 

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Robbed: 9 Eurovision contestants that should’ve won
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The artists hooked on competing in Eurovision
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