After two weeks in theatres, the look at the legendary rock band on the road has proved to be a breakout hit in the U.S.
By
reuters.com

Source:
Variety
28 Sep 2016 - 12:26 PM  UPDATED 22 Jul 2021 - 4:49 PM

The Beatles: Eight Days a Week may be available on Hulu, but many die-hard fans of the Fab Four still prefer to see John, Ringo, George, and Paul on the big screen. After two weeks in theatres, the look at the legendary rock band on the road, has earned $1.5 million. That's a hefty result for a documentary about a band that dissolved over four decades ago, and an outstanding gross for a film that can be streamed online.

"Audiences want to see it communally," said Richard Abramowitz, who is overseeing the theatrical rollout through his company, Abramorama. "It's like going to a concert for them. It's an emotional, shared experience for an audience."

Directed by Ron Howard, the Oscar-winning filmmaker behind A Beautiful Mind, Eight Days a Week follows the Beatles on the road from 1962 to 1966, a period when "Beatlemania" was at its zenith. Beyond giving moviegoers the opportunity to see the mop-topped crew at their musical height, the film is hitting the zeitgeist in another way. It shows how the foursome stipulated in their contracts that they would not play to segregated audiences, and forced venues in the deep South to integrate. In the film, the band members remember that they came of age playing with black musicians and sought to emulate African-American dominated genres such as R&B.

"We played Jacksonville (Florida) and we heard that the whites and the blacks were going to be segregated and we just went, 'Whoa, no. No way,'" Paul McCartney remembers at one point in the film. Comments like that draw loud applause at the screenings, theatre owners report, and appear to resonate at a time when police shootings of African-American men have stoked racial tensions.

Watch the trailer:

As an incentive to see the film on the big screen, the theatrical version of Eight Days a Week includes 30-minutes of remastered footage from the band's 1965 concert at Shea Stadium. That can't be seen in the Hulu edition. Perhaps it's the prospect of seeing the Beatles rocking out to "Can't Buy Me Love" and "A Hard Day's Night," or maybe its the strong reviews from the likes of the Los Angeles Times and the New Yorker, but Eight Days a Week continues to add and hold theatres. After starting on 85 screens, The Beatles: Eight Days a Week is now on more than 150. It will be on 174 screens this weekend. It's unusual for a bifurcated release of this nature - one that is available both on-demand and in theatres, to continue to build momentum. However, Abramowitz thinks that Eight Days a Week is a film that could play in repertory for years to come, much as Woodstock, Stop Making Sense, and other musical documentaries have done.

"I don't think there's an end to it," he said. "Even if it's just going to play on weekends, I think it will always have a home in theatres. It's going to play forever."

 

 

Watch 'The Beatles: Eight Days a Week - The Touring Years'

Sunday 1 August, 7:30pm on SBS / Streaming after broadcast at SBS On Demand

M, CC
UK, USA, 2016
Genre: Documentary
Language: English
Director: Ron Howard
Featuring: Paul McCartney, Ringo Starr, John Lennon, George Harrison, Whoopi Goldberg

 

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