Don Johnson

Tarantino puts on show with slavery tale.
The second in what might wind up being Quentin Tarantino’s 'retribution trilogy’, Django Unchained—like its predecessor, 2009’s Inglourious Basterds—serves up a typically heady stew of boy’s-own adventure and historical revisionism. Like that...
Border-crossing vengeance flick is borderline boring.
Filmmaking has no shortage of workmanlike strivers or even overwhelmed incompetents serving as directors, but in terms of talent versus application and output it’s clear that Robert Rodriguez is the laziest. His latest feature, the faux...