If you haven’t seen Clio Barnard’s feature debut, The Arbor, you should: it’s one of the most inventive and powerful British features of the past quarter-century.
Owen is perhaps miscast in this role, but it is worth seeing for the battle scenes.
Training Day director, Antoine Fuqua, and Gladiator screenwriter David Franzoni, set out to capture the unromantic elements of what they say is the true Arthurian tale. And they do depict a gritty world where battles were frequent and bloody....

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