Drunk comedy lacks consistency.
The wildly erratic output of auteur Vishal Bhardwaj shows no sign of abating with his ambitious but maddeningly flawed new satire, Matru ki Biljee ka Mandola. Bhardwaj simply does not know which story strand to emphasise
Marriage is hell in Bollywood black comedy.
The new film from major Indian director Vishal Bhardwaj opens with a shocker: there’s a gun, a heartbreak and blood on the wall. It’s a visual puzzle that seems to equal suicide, but like so much in this long and twisty melodrama, appearances are...