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All The Money In The World review: Plummer is perfect as miserly millionaire

Ridley Scott's 11th-hour decision to swap his lead actors was worth it.
It’s late in the night and a beautiful mop-haired teenager (Charlie Plummer), barely more than a child, flirts with sex workers beside fountains that belong in a Fellini film. He speaks good Italian but is clearly a rich American brat. In an...

Suburbicon review: Retro-themed race rage thriller shows its age

In a post-'Get Out' world, this dusty old Coen Bros script can't cut it.
White picket fences and mailmen who know your name, this is 1950s suburbia, complete with cookies and milk. It’s also complete with the dark and sinister undertones we’ve come to expect from every contemporary film set in that period. And this is...

Get Out review: Terrifying, socially conscious horror

Jordan Peele’s directorial debut is the satirical horror movie we’ve been waiting for.
Jordan Peele’s Get Out is the satirical horror movie we’ve been waiting for, a mash-up of Guess Who’s Coming to Dinner? and The Stepford Wives that’s more fun than either and more illuminating, too.

What's in the Darkness review: A tantalising, but unfulfilled coming-of-age/serial killer movie

Don't expect a satisfactory whodunit denouement in this coming-of-age/serial killer hybrid.
SYDNEY FILM FESTIVAL: In 1991, in a small northern Chinese backwater town, a pubescent girl, Jing (Su Xiaotong) has reached that embarrassed stage where she constantly argues with her mother and every public utterance by her father (Guo Xiao)...

The Hateful Eight review: A grand, gory vision

Quentin Tarantino’s The Hateful Eight has an abundance of two things: words and blood. For fans, the good news is that it is business as usual. For those who remain agnostic as to the rewards of the unique cinematic universe that the universe now...

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