Three generations of women endure a tough existence in post Soviet Georgia. Grandmother, Eka (Esther Gorintin) lives with daughter, Marina (Nino Khomassouidze) and granddaughter Ada (Dinara Drukarova) in a small apartment, in the bleak city of Tsibili. Eka lives for letters and phone calls from her beloved son Otar, who has been forced to seek work in Paris. When Marina and Ada receive word that Otar has died, they resolve to keep the information from Eka, for fear that the news will kill her. The lies compound and become a destructive force, but they also reveal the inner secrets of the daughter and granddaughter.
Since Otar Left is a lovingly rendered story, that is both sad and uplifting. Julie Bertuccelli's background as a documentary maker serves the story well, treating us to fly on the wall observations. With beautiful locations and delicate cinematography, this film explores the intricacies of family relationships, the lure of the West and the complexities of a country that is still struggling with its social and political past.
Since Otar Left is a lovingly rendered story, that is both sad and uplifting. Julie Bertuccelli's background as a documentary maker serves the story well, treating us to fly on the wall observations. With beautiful locations and delicate cinematography, this film explores the intricacies of family relationships, the lure of the West and the complexities of a country that is still struggling with its social and political past.
