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Two Islands, One Thread: Linking the Cultural Traditions of Lombok and Bali

20231218 Russell Kelty Adobe RGB 4000px Photo Saul Steed 0Z2Y9155.jpg

Russell Kelty, Curator Asian Art, Art Gallery of South Australia AGSA Credit: Saul Steed

Two Islands, One Thread: The Art and Cultures of Lombok & Bali opens at the Art Gallery of South Australia on May 15, is the first exhibition in Australia to explore the extraordinary artistic and cultural links between the Muslim-majority Lombok community and the Hindu-majority Balinese community.


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By Ricky Kusumo

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Two Islands, One Thread: The Art and Cultures of Lombok & Bali opens at the Art Gallery of South Australia on May 15, is the first exhibition in Australia to explore the extraordinary artistic and cultural links between the Muslim-majority Lombok community and the Hindu-majority Balinese community.


Starting May 15, the Art Gallery of South Australia (AGSA) presents an exhibition entitled Two Islands, One Thread: The Art and Cultures of Lombok & Bali.

This is the first exhibition in Australia to explore the remarkable artistic and cultural relationship between two distinct Indonesian peoples, Muslim-majority Lombok and Hindu-majority Bali.

"Temple doors (pamedal)" [20115A28(a-c)], Indonesia, Bali
"Temple doors (pamedal)" 1700-1900, Tejakula, Buleleng, Bali, Indonesia wood, pigment, gold leaf, metal. Gift of the Art Gallery of South Australia Foundation 2011, Art Gallery of South Australia, Adelaide Credit: Art Gallery of South Australia, Adelaide

Through a vast collection of textiles, drawings, paintings, and rarely exhibited objects, the exhibition reveals how maritime contact, trade, and migration over the centuries across the Lombok Strait have shaped the artistic traditions of the two islands while preserving each other's unique cultural identities.

The exhibition celebrates the history as well as the continuing intelligence of artists from both islands through similar textile legacies.

AGSA's curator of Asian Art, Russell Kelty, explains that the exhibition highlights an often overlooked cultural relationship, where although the two islands are often thought to be culturally distinct, their artistic traditions instead uncover a long history of mutual exchange, adaptation and creativity.

"The abduction of Princess Sita, from 'Ramayana' epic" [993P21],
"The abduction of Princess Sita, from 'Ramayana' epic". Gift of Christine and Charles Rothauser 1999, Art Gallery of South Australia, Adelaide. Credit: Saul Steed

The core of the exhibition is woven, embroidered, painted, and knotted fabrics made by the Sasak indigenous people of Lombok as well as the Balinese people.

For the local community, these works are profound expressions of spiritual belief, identity, and reverence for ancestors.

In parts of Lombok, the intricate songket fabric with the sparkle of metallic threads as well as the distinctive knotted woven fabric shows how deeply embedded textiles are in everyday life.

Meanwhile, the lavish patterns on Balinese textiles reflect the belief that the garments mimic the beauty of divine textiles woven by Hindu gods.

In addition to textiles, Two Islands, One Thread also features a variety of artworks and other objects, including gold plaques of ancestral temples, Balinese temple doors from the 18th century, and large-scale paintings that showcase the architecture, ceremonial life, and art traditions of both islands.

"Festive waist-wrap cloth (leang, dodot), with ‘basket of flow
"Festive waist-wrap cloth (leang, dodot), with ‘basket of flowers’ patolu motif" c.1970, Central Lombok cotton, silk, synthetic dyes, supplementary-weft weave, stitchwork 107.5 x 166.0 cm. South Australian Government Grant 1974 Art Gallery of South Australia, Adelaide. Credit: Photo by Saul Steed.

Among the more than 100 works on display, there are textiles from the AGSA collection that have never been published before, as well as a rare loan from the State Museum of West Nusa Tenggara that has just appeared for the first time in Australia.

The presence of these important works was also supported by a grant from Michael Abbott AO KC which during this time enriched the gallery's collection of Southeast Asian art.

AGSA Director Jason Smith stated that the exhibition reflects the gallery's commitment to bringing global cultural diversity to life and strengthening international partnerships. According to him, this significant cultural collaboration between Australia and Indonesia allows the wider public to understand the deeper artistic connections between Lombok and Bali.

"Temple hanging (tabing), Churning of the Milky Ocean, from the
"Temple hanging (tabing), Churning of the Milky Ocean, from the ‘Adiparwa’ (Book of the Beginning)" 1925-50, by Pan Ngales born Bali, Indonesia c.1870 died c.1952, Kamasan, Klungkung, Bali, Indonesia. Gift of Michael Abbott AO QC and Sue Crafter through the Art Gallery of South Australia Foundation 2017. Donated through the Australian Government's Cultural Gifts Program Art Gallery of South Australia, Adelaide.

As a complement, a major illustrated publication exploring Lombok's textiles, art, and culture will be published and available in AGSA Stores from September 2026.

In addition, on Saturday 12 September, AGSA will hold a major symposium featuring speakers from Australia and Indonesia to celebrate the exhibition as well as launch the book.

The exhibition Two Islands, One Thread: The Art and Cultures of Lombok & Bali can be visited for free at AGSA from May 15 to October 11, 2026, with more information available via the official website agsa.sa.gov.au.

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The “Transcript” section is generated with Artificial Intelligence (AI). Read more about SBS's use of AI: https://www.sbs.com.au/aboutus/sbs-guiding-principles-for-use-of-ai/


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