Chinese artist Ai Weiwei arrives at the Imperial War Museum in London with an exhibition entitled History of Bombs: a gallery of 3D reproductions of almost fifty life-size weapons of destruction.
The exhibition represents an opportunity to investigate the relationship between individuals and politics, fear and social security, or to 'reveal, report and enlighten' the people who observe it, as great art must do.
But according to the director of blackratprojects Andrea Candiani, at times of crisis the public prefers an Art that has above all the purpose of entertaining and not making people think.
