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Pakistan's first wire mesh artist, Sajid Ameeri, creates incredible works of art from metal mesh

Pakistan's first wire mesh artist transforms ordinary metal mesh into extraordinary art.jpg
Pakistan's first wire mesh artist transforms ordinary metal mesh into extraordinary art

The towering mountains of Gilgit-Baltistan, Pakistan, are known not only for their breathtaking natural beauty but also for producing artists of extraordinary talent. One such artist is Sajid Ameeri, who has carved out a unique identity by transforming ordinary wire mesh—commonly used in household windows—into his artistic medium. As Pakistan's only wire mesh artist, he is creating remarkable works in a medium that has traditionally never been regarded as part of painting or sculpture.


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The towering mountains of Gilgit-Baltistan, Pakistan, are known not only for their breathtaking natural beauty but also for producing artists of extraordinary talent. One such artist is Sajid Ameeri, who has carved out a unique identity by transforming ordinary wire mesh—commonly used in household windows—into his artistic medium. As Pakistan's only wire mesh artist, he is creating remarkable works in a medium that has traditionally never been regarded as part of painting or sculpture.


From a distance, Sajid Ameeri's creations look like finely detailed pencil sketches. A closer look, however, reveals that they are meticulously crafted by sculpting lifeless metal wire mesh. Produced with extraordinary precision, patience and craftsmanship, his artworks are attracting attention not only in Pakistan but also internationally.

In an exclusive interview with SBS Urdu, the young artist explained how and when he began creating wire mesh art and the process behind his intricate masterpieces. Sajid said his journey began unexpectedly with a university assignment and has continued ever since. He explained that he works exclusively with wire mesh, carefully arranging and shaping one layer after another with exceptional precision. No paint or colour is used in any of his artwork.

Asked whether working with metal mesh leaves his hands injured, Sajid said that in the early days he often cut his hands while shaping the material. However, he added that art is something to be felt, and wearing gloves takes away that connection, which is why he usually avoids using them despite the risk.

He said people often assume his pieces are pencil drawings when they first see them. It is only after taking a closer look that they realise the artworks are made entirely from wire mesh, leaving them astonished. According to Sajid, wire mesh art has potential in Pakistan, but it currently receives greater recognition and appreciation internationally.

(This report for SBS Urdu was filed from Pakistan by Ehsan Khan.)

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