Key Points
- In advocating for the Nadesalingam family's return to Biloela, the local art gallery launched a special exhibition specially dedicated to them ahead of the federal election.
- Among the best pieces in the gallery are from the Tamil asylum seeker family herself, Priya, who handmade dresses for her daughters while in detention.
There's only one art gallery in Central Queensland's Banana Shire council that spans over 28,000 square kilometres — and it's nestled comfortably in the tiny town of Biloela.
Biloela is also the home of the country's most famous asylum seeker family, who made their much-anticipated return to the region on Friday.
In advocating for the family's return ahead of the federal election, the gallery launched a special exhibition dedicated to the Nadesalingam family.
The Tamil asylum seeker family was taken from their home in Biloela during a dawn raid by the Australian Border Force and placed in immigration detention by the former Coalition government in March 2018, triggering an intense legal battle to release them into the community.
But following the Labor government's federal election promise to grant them bridging visas, the Nadesalingams are now reunited with their beloved family friends.
Called The Long Way Home, the exhibition features 16 artworks from local and national artists who have donated their work to the gallery in support of the family.
Director and curator of the Banana Shire art gallery Robert Connell said the exhibition is "full of joy and happiness", but is also marred with "a lot of sadness" as it brings to light the "reality of what's happened" to the family.
"It's the emotion behind it that really has fuelled this entire exhibition," Mr Connell said.
"These works themselves are not just sharing what family means but also what home means ... but also what it is to belong."
The daughters' dresses in detention
The exhibition boasts an array of skill and precision from artists, both local and national, young and old - but among the best pieces are arguably from the Nadesalingam mother herself, Priya.
Despite being in detention, the mother of two who has been described as a "fighting spirit" by campaign advocates, pursued her love for sewing dresses for her daughters with little resources available at her disposal.
Holstered up for viewers to marvel at is a set of pink dresses she made for her girls to feature in their school's Book Week during their time in detention in 2020.
According to Priya, "the girls felt like beautiful fairy princesses" when they donned their costumes made of magazines, straws and plastic bottles.
They're items, Mr Connell said, that are normally thrown away by the general public.
"But she's then created these works ... for the two girls to be able to give a resemblance of what childhood should be like," he said.
"The arts and crafts of the dresses that she made for the two girls ... with such limited resources is just amazing."
Biloela's cockatoo totem flies high
You'll find cockatoos everywhere in the town - painted on walls, thrust onto billboards, carried as plush toys by kids - but perhaps nowhere are they more saturated than in this art exhibition.
The name Biloela translates to "cockatoo" in Gangulu, the Aboriginal language of the people in the community whose totem is the bird.
And since the Home To Bilo campaign was launched, the cockatoo acted, too, as a symbol of solidarity for the Nadesalingams.
When local artist Gwen Evetts found out about the exhibition, she only had five days to conjure up an artwork — but she felt determined to contribute something to the cause.
Interwoven among the three cockatoos she painted are vibrant foliage, colours inspired by the sarees worn by Priya, Kopika and Tharnicaa, she said.
"I think what a wonderful job everyone's been doing with the campaigning and getting them here now. They just kept believing I thought, well, they believe in me to bring them some artwork," Gwen said.
"I believe in the family, I believe in the campaign."
Among the other works is an interactive set of drawers called 'Dutton's Drawers of Inequities'. Inside each drawer includes small symbolic items of former home affairs minister Petter Dutton's hardline stance against refugees and asylum seekers entering Australia.
And Wiradjuri and Maranganji artist Wayne Martin who lives in Banana Shire donated his canvas painting, Ngurambang (country), which illustrates love, community, family and an everlasting connection to country.
The Long Way Home will remain on display until next week, giving the Nadesalingam family time to settle in before they check out the community's creative collaboration.
